{"id":3791,"date":"2016-05-01T21:27:00","date_gmt":"2016-05-01T21:27:00","guid":{"rendered":"https:\/\/kenneypolson.com\/?p=3791"},"modified":"2026-11-02T22:25:20","modified_gmt":"2026-11-02T22:25:20","slug":"smoothjazz-com","status":"publish","type":"post","link":"https:\/\/kenneypolson.com\/?p=3791","title":{"rendered":"Smoothjazz.com"},"content":{"rendered":"\n[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;0|0px|54px|0px|false|false&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_row _builder_version=&#8221;4.16&#8243; background_color=&#8221;#eaeaea&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; text_font_size=&#8221;17px&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; custom_margin=&#8221;|40px||40px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<p><span style=\"color: #666666;\"><strong>Sandy Shore Interviewed Kenney Polson about the album <em>Paradise<\/em>, Volume. I<\/strong><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-663\" src=\"https:\/\/kenneypolson-v1539209788.websitepro-cdn.com\/wp-content\/uploads\/2018\/09\/smoothjazz.com_.png\" alt=\"\" width=\"200\" height=\"76\"><\/p>\n<p><strong>Q. How did this album and overall concept for it come about, and what are your ultimate goals with it?<\/strong><\/p>\n<p>A. I was living in Rio de Janeiro, Brazil at the time. It was also a very creative time in my life. I was teaching at the American School of Rio and also playing music with the local musicians. They were very good. Their culture and approach to life inspired me. I hope to get this music to all four corners of the earth!<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Q. What do you find to be the most challenging aspect of recording a new album?<\/strong><\/p>\n<p>A. Getting to the studio fast enough when the ideas are flowing. I just can\u2019t wait to get there!<\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>Q. How would you describe what inspires you to do what you do?<\/strong><\/p>\n<p>A. The love of life inspires me. I always want to express happiness and I think it comes out in my music.<\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>Q. What artists do you feel akin to or in the same tribe with?<\/strong><\/p>\n<p>A. There are so many: Grover Washington Jr., Kim Waters, Najee, Eric Marienthal, Candy Dulfer, to name a few\u2026<\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>Q. What elements do you look for in a song that makes it especially satisfying for you to perform?<\/strong><\/p>\n<p>A. Playing a strong melody over a strong groove is very important. It is a lot of fun and a real joy for me!<\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong>Q. Who would you say has been the single biggest influence in your life in getting you to where you are now in your career?<\/strong><\/p>\n<p>A. The single biggest influence at this point is Mr. Stone Paxton of Prodigee records. He believed in my music and is the reason why I am where I am in my career right now.<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"<p>Sandy Shore Interviewed Kenney Polson about the album Paradise, Volume. I Q. How did this album and overall concept for it come about, and what are your ultimate goals with it? A. I was living in Rio de Janeiro, Brazil at the time. It was also a very creative time in my life. I was [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3843,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[1],"tags":[],"class_list":["post-3791","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/posts\/3791","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3791"}],"version-history":[{"count":4,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/posts\/3791\/revisions"}],"predecessor-version":[{"id":3796,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/posts\/3791\/revisions\/3796"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/media\/3843"}],"wp:attachment":[{"href":"https:\/\/kenneypolson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3791"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3791"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3791"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}