{"id":3756,"date":"2019-03-24T20:00:00","date_gmt":"2019-03-24T20:00:00","guid":{"rendered":"https:\/\/kenneypolson.com\/?p=3756"},"modified":"2026-11-02T22:22:47","modified_gmt":"2026-11-02T22:22:47","slug":"for-lovers-only-review-by-jeff-becker","status":"publish","type":"post","link":"https:\/\/kenneypolson.com\/?p=3756","title":{"rendered":"For Lovers Only Review By Jeff Becker"},"content":{"rendered":"\n[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;0|0px|0|0px|false|false&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_row _builder_version=&#8221;4.16&#8243; background_color=&#8221;#eaeaea&#8221; custom_padding=&#8221;|50px||50px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; text_font_size=&#8221;17px&#8221; header_font=&#8221;||||||||&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<p class=\"entry-meta\">By <a href=\"https:\/\/jazzsensibilities.com\/crossover-jazz\/kenney-polson-for-lovers-only\/\">Jeff Becker<\/a><\/p>\n<p class=\"entry-meta\"><\/p>\n<div class=\"entry-content clearfix\">\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/kenneypolson.com\/wp-content\/uploads\/2026\/10\/Jazz-Sensibilities.png\" width=\"150\" height=\"150\" alt=\"\" class=\"wp-image-2434 alignleft size-full\">Saxophonist, Kenney Polson is not a new name on the smooth-jazz scene, but certainly he is an accomplished crossover artist. His tunes are a mixture of smooth-jazz and jazz flavored tunes that highlight his prowess as a composer.&nbsp; Based in the Pacific Northwest, he has lived and performed in over 50 countries.&nbsp; Polson has toured Japan, Korea, Hawaii, Colombia, Brazil, and over a dozen Caribbean Islands. In 2016 and 2017, he toured extensively with <a href=\"https:\/\/en.wikipedia.org\/wiki\/Rick_James\">Rick James<\/a>\u2019 Original Stone City Band playing major festivals such as Capital City Jazz Festival and Orange County Funk Fest in California.<\/p>\n<p>On his latest album&nbsp;<em>For Lovers Only<\/em>&nbsp;Polson is joined by guitarist Bruce Conte and keyboardist Roger Smith (Tower of Power), trumpeter Larry Gittens (Kool &amp; The Gang), guitarist Phil Upchurch (Donny Hathaway and George Benson), and smooth jazz pioneer \u2013 pianist Tom Grant. Trombonist Fred Wesley (Parliament Funkadelic) and bassist\/vocalist Michael Henderson (Miles Davis, Stevie Wonder).<\/p>\n<p>The classic \u201cStella by Starlight,\u201d is given a funky treatment.&nbsp; Polson shows his classic chops with a melodism that resonates throughout the track with stylistic beauty.&nbsp; Pianist Tom Grant punctuates the track with a caressing approach that uplifts the harmonic beauty of the tune.&nbsp; The addition of backing vocals adds a nice lilt to the track. The overall approach is unaffected, featuring an organic approach towards instrumentation, but with a sensual backbeat that drives the tune.<\/p>\n<p>There is nothing I like more than a tune with a purpose. On this selection \u201cBlack Swan,\u201d a Polson original, he pays tribute to the first Black-owned record company, <a href=\"https:\/\/www.blackpast.org\/african-american-history\/black-swan-records-1921-1923\/\">Black Swan Records<\/a>. Their releases were dubbed \u201crace records\u201d by non-whites, in order to make sales, many of their releases were about love. &nbsp;The tune is accentuated with synthesizers and features a duet between Polson and guitarist Phil Upchurch who has played with artists like <a href=\"https:\/\/en.wikipedia.org\/wiki\/Donny_Hathaway\">Donny Hathaway<\/a> and <a href=\"https:\/\/en.wikipedia.org\/wiki\/George_Benson\">George Benson<\/a>.&nbsp; The tune is distinctly smooth-jazz, with gorgeous tonality and an easy going feeling.&nbsp; Polson sweeps and swells with a warm and inviting alto tone.&nbsp; Guitarist Upchurch is flawless, his warm and fluid lines offer a transparency in tone and effortless technique for a solid listen.<\/p>\n<p>Polson is a consummate professional, his recordings just get keep better with time.&nbsp; His fluidity and compositional flow are timeless, but with an updated sound that keeps you coming back for more. &nbsp;His latest offering&nbsp;<em>For Lovers Only<\/em>&nbsp;is a solid piece of artistry. Though based in relaxing themes of love, the ear can also appreciate the complexity and mastery of each player during the solo sections, making this a cut above smooth-jazz offering, that gives the ear plenty to enjoy.<\/p>\n<p>&nbsp;<\/p>\n<p>Read the full review on <a href=\"https:\/\/jazzsensibilities.com\/crossover-jazz\/kenney-polson-for-lovers-\">jazzsensibilities.com<\/a><\/p>\n<\/div>[\/et_pb_text][et_pb_button button_url=&#8221;https:\/\/kenneypolson.websitepro.hosting\/wp-content\/uploads\/2019\/04\/Jazz-Sensibilities-review-1.pdf&#8221; button_text=&#8221;Download PDF&#8221; _builder_version=&#8221;4.16&#8243; custom_button=&#8221;on&#8221; button_text_size=&#8221;16px&#8221; button_font=&#8221;||||||||&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"<p>By Jeff Becker Saxophonist, Kenney Polson is not a new name on the smooth-jazz scene, but certainly he is an accomplished crossover artist. His tunes are a mixture of smooth-jazz and jazz flavored tunes that highlight his prowess as a composer.&nbsp; Based in the Pacific Northwest, he has lived and performed in over 50 countries.&nbsp; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3841,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[1],"tags":[],"class_list":["post-3756","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/posts\/3756","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3756"}],"version-history":[{"count":4,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/posts\/3756\/revisions"}],"predecessor-version":[{"id":3762,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/posts\/3756\/revisions\/3762"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/media\/3841"}],"wp:attachment":[{"href":"https:\/\/kenneypolson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3756"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3756"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3756"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}