{"id":3749,"date":"2019-04-07T19:50:00","date_gmt":"2019-04-07T19:50:00","guid":{"rendered":"https:\/\/kenneypolson.com\/?p=3749"},"modified":"2026-11-02T22:22:24","modified_gmt":"2026-11-02T22:22:24","slug":"review-of-for-lovers-only","status":"publish","type":"post","link":"https:\/\/kenneypolson.com\/?p=3749","title":{"rendered":"Review On allaboutjazz.com By Geannine Reid"},"content":{"rendered":"\n[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;0|0px|0|0px|false|false&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_row _builder_version=&#8221;4.16&#8243; background_color=&#8221;#eaeaea&#8221; custom_margin=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|50px||50px&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; text_font_size=&#8221;17px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<div>\n<p><a href=\"https:\/\/www.allaboutjazz.com\/php\/member.php?id=1910\"><img decoding=\"async\" src=\"https:\/\/kenneypolson.com\/wp-content\/uploads\/2026\/10\/gr_copy.png\" width=\"60\" alt=\"Geannine Reid\" itemprop=\"image\">&nbsp;<\/a>By&nbsp;<span id=\"author\" itemprop=\"author\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/Person\">GEANNINE REID&nbsp;<\/span><\/p>\n<\/div>\n<div itemprop=\"text\">\n<div><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/kenneypolson.com\/wp-content\/uploads\/2026\/10\/For-Lovers-Only-Album-Cover.jpg\" width=\"182\" height=\"182\" alt=\"\" class=\"wp-image-1958 alignright size-full\">Saxophonist&nbsp;Kenney Polson&nbsp;may not be a household name but he has a lengthy pedigree in jazz and smooth jazz. He was born in Kansas City, Missouri to a musical family; a grandfather worked with Count Basie and Cab Calloway and an uncle sang with the Coasters. Polson&#8217;s discography since 2010 includes&nbsp;Serendipity&nbsp;(2014, No Slop Media),&nbsp;Paradise&nbsp;(2016, No Slop Media) and now&nbsp;<em>For Lovers Only<\/em>.<\/div>\n<p>The album is aptly titled and Polson&#8217;s warm and fluid timbre resonates throughout. Friends from WAR, The Isley Brothers, Kool &amp; The Gang, Malo, Rufus, and Tower of Power are among the line-up. &#8220;Many of them are not playing solos,&#8221; says Polson, &#8220;but mixing R&amp;B guys with jazz guys really makes for a great sound, and they are laying down killer grooves to augment the feel of these melodies.&#8221;<\/p>\n<p>&#8220;Stella by Starlight&#8221; features pianist&nbsp;<a data-toggle=\"popover\" data-trigger=\"focus\" role=\"button\" data-container=\".span-7172\" data-placement=\"top\" data-html=\"true\" data-content=\"&lt;div class=&quot;clearfix&quot;&gt;&lt;a href='\/\/musicians.allaboutjazz.com\/tomgrant'  class='pic-blank pic-float pic-60'&gt;&lt;i class='fa fa-user'&gt;&lt;\/i&gt;&lt;\/a&gt;&lt;div class=&quot;tooltip-text&quot;&gt; \t\t\t&lt;a href=&quot;\/\/musicians.allaboutjazz.com\/tomgrant&quot;&gt;&lt;strong&gt;Tom Grant&lt;\/strong&gt;&lt;\/a&gt;&lt;br \/&gt;b.1950&lt;\/div&gt;&lt;\/div&gt;\" data-original-title=\"\" title=\"\" tabindex=\"0\">Tom Grant<\/a>. The track is definitively smooth, its ambiance reinforced with backing vocals which give a lyrical R&amp;B ambiance. Grant and Polson trade tasty fours towards the end. On &#8220;Blessed,&#8221; Bruce Conte (Tower of Power) plays a duet with Polson on tenor. The rapport between the two players is deep.<\/p>\n<p>Polson wrote &#8220;Black Swan&#8221; as a tribute to America&#8217;s first black-owned record company. Black Swan Records. On the track, Polson is joined by guitarist&nbsp;<a data-toggle=\"popover\" data-trigger=\"focus\" role=\"button\" data-container=\".span-10981\" data-placement=\"top\" data-html=\"true\" data-content=\"&lt;div class=&quot;clearfix&quot;&gt;&lt;a href='\/\/musicians.allaboutjazz.com\/philupchurch'&gt;&lt;img src='https:\/\/s3.amazonaws.com\/allaboutjazz\/photos\/profile\/thumb_img_app\/philupchurch_10981_60x60.jpg' class='pic-float pic-60 rad-5' alt='Phil Upchurch' \/&gt;&lt;\/a&gt;&lt;div class=&quot;tooltip-text&quot;&gt; \t\t\t&lt;a href=&quot;\/\/musicians.allaboutjazz.com\/philupchurch&quot;&gt;&lt;strong&gt;Phil Upchurch&lt;\/strong&gt;&lt;\/a&gt;&lt;br \/&gt;b.1941&lt;br \/&gt;guitar&lt;\/div&gt;&lt;\/div&gt;\" data-original-title=\"\" title=\"\" tabindex=\"0\">Phil Upchurch<\/a>, who offers a nimble solo with quick arpeggios and a warm tone. The texture changes on &#8220;Forever Yours,&#8221; which features Bob Russell on alto flute,&nbsp;<a data-toggle=\"popover\" data-trigger=\"focus\" role=\"button\" data-container=\".span-4450\" data-placement=\"top\" data-html=\"true\" data-content=\"&lt;div class=&quot;clearfix&quot;&gt;&lt;a href='\/\/musicians.allaboutjazz.com\/rogersmith'  class='pic-blank pic-float pic-60'&gt;&lt;i class='fa fa-user'&gt;&lt;\/i&gt;&lt;\/a&gt;&lt;div class=&quot;tooltip-text&quot;&gt; \t\t\t&lt;a href=&quot;\/\/musicians.allaboutjazz.com\/rogersmith&quot;&gt;&lt;strong&gt;Roger Smith&lt;\/strong&gt;&lt;\/a&gt;&lt;br \/&gt;b.1959&lt;\/div&gt;&lt;\/div&gt;\" data-original-title=\"\" title=\"\" tabindex=\"0\">Roger Smith<\/a>&nbsp;on organ and Polson on bass clarinet.<\/p>\n<p><em>For Lovers Only<\/em>&nbsp;invites you to sit back, relax and grab a glass of wine. There is enough substance to catch your ears and enough smooth to soothe your mind.<\/p>\n<\/div>\n<div>\n<p>Track Listing: Stella by Starlight; Innocence; Valentine Love; Love On a Two Way Street; La La (Means I Love You); Black Swan, Forever Yours, Passion; <em>For Lovers Only<\/em>.<\/p>\n<p>Personnel: Kenney Polson: soprano, alto, tenor saxophone, bass clarinet, percussion, keyboard; Fred Wesley: trombone; Bruce Conte: guitar; Roger Smith: Hammond organ; Hans Zurmuehlen: keyboards; Julian Molina: bass, Alonzo Powell: drums; Donald Factory: keyboards, synth bass; Steve Nance, Craig Hall: acoustic guitar; Marlon McClain: electric guitar; M.B. Cotton: drums; Jay Koder: guitar; Wayne Henderson: keyboards, piano; Brian Toel: bass; Graham Lear: drums; Crystal Jackson, Cheryl Lockett, Carol J. Toca, Raymond Williams: background vocals; Mombo Hernandez, Marcos Reyes, Anthony C. Polson: percussion; Trent Baarsphul: guitar; Bob Russell: alto flute; Leon Jones: bass; Nate Grisby: drums; Pablo Rivarola: trumpet; Cotrell Billingsly: trombone; Michael Severson: piano, keys; Grady McKenzie: bass; Dave Hagen: drums.<\/p>\n<p>Title:&nbsp;<a href=\"https:\/\/www.amazon.com\/For-Lovers-Only-Instrumental\/dp\/B07ND8CCLF\/ref=sr_1_9?keywords=Kenney+Polson&amp;qid=1555884903&amp;s=dmusic&amp;search-type=ss&amp;sr=1-9\" title=\"View For Lovers Only at All About Jazz\"><em>For Lovers Only<\/em><\/a>&nbsp;| Year Released: 2019 | Record Label: Prodigee Records<\/p>\n<p>View the full interview on <a href=\"https:\/\/www.allaboutjazz.com\/for-lovers-only-kenney-polson-prodigee-records-review-by-geannine-reid.php\">allaboutjazz.com<\/a><\/p>\n<p>&nbsp;<\/p>\n<\/div>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;By&nbsp;GEANNINE REID&nbsp; Saxophonist&nbsp;Kenney Polson&nbsp;may not be a household name but he has a lengthy pedigree in jazz and smooth jazz. He was born in Kansas City, Missouri to a musical family; a grandfather worked with Count Basie and Cab Calloway and an uncle sang with the Coasters. Polson&#8217;s discography since 2010 includes&nbsp;Serendipity&nbsp;(2014, No Slop Media),&nbsp;Paradise&nbsp;(2016, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3827,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[1],"tags":[],"class_list":["post-3749","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/posts\/3749","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3749"}],"version-history":[{"count":4,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/posts\/3749\/revisions"}],"predecessor-version":[{"id":3755,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/posts\/3749\/revisions\/3755"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/media\/3827"}],"wp:attachment":[{"href":"https:\/\/kenneypolson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3749"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3749"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3749"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}