{"id":3673,"date":"2021-03-22T09:15:00","date_gmt":"2021-03-22T09:15:00","guid":{"rendered":"https:\/\/kenneypolson.com\/?p=3673"},"modified":"2026-11-02T22:14:53","modified_gmt":"2026-11-02T22:14:53","slug":"jazz-weekly-kenney-polson-colors-of-brazil","status":"publish","type":"post","link":"https:\/\/kenneypolson.com\/?p=3673","title":{"rendered":"Jazz Weekly – Kenney Polson: Colors of Brazil"},"content":{"rendered":"\n[et_pb_section fb_built=”1″ _builder_version=”4.16″ custom_padding=”0|0px|0|0px|false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row _builder_version=”4.16″ background_color=”rgba(0,0,0,0.06)” custom_padding=”|50px||50px” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” text_font_size=”17px” header_font=”||||||||” custom_padding=”||0px|||” global_colors_info=”{}” theme_builder_area=”post_content”]

POSTED BY: George W. Harris <\/a>March 22, 2021<\/strong><\/span><\/p>\n

Kenney Polson | Colors of Brazil Review<\/span><\/h1>\n

By:<\/span> George W. Harris <\/a><\/span><\/strong><\/p>\n

\"\"<\/a>Kenney  Polson uses a wide variety of paintbrushes with his mix of reeds on this upbeat and sleek interpretation of Brazilia. He plays saxes of soprano, alto, tenor and bari along with clarinet, percussion and keyboards with a core team of Nico Assumpcao\/b, Christian Oyens\/dr, Cidinho Moreira\/perc and a rotating team of guests in various incarnations of band size.<\/span><\/p>\n

With environmental support of seagulls, Polson\u2019s alto mixes with Leni Stern\u2019s guitar and n\u2019goni for a soulful \u201cAqurela do Brazil\u201d, while Mariea Antoinette\u2019s harp glistens to the hip horns and backbeat of \u201cHipnotizado\u201d. Paulinho Trompete gives a swinging solo while drummer Christian Oyens hits hard on a rich take of Duke Ellington\u2019s \u201cCaravan\u201d while Polson melds reeds together for a rich flavor for Dr. Osamu Kitajima\u2019s koto on \u201cFor de Lis\u201d. Polson\u2019s soprano is gorgeous on Passeio de Bicicleta\u201d while he creates some thick reeds on a festive take of Ivan Lins\u2019 \u201cLeva e Traz\u201d. The team gets funky to Assumpcao\u2019s basswork on \u201cMariana\u201d and the team punches like a middleweight to Azur McCall\u2019s scat solo on  \u201cIncompativilidade de Genios\u201d.  Wonderful sounds of festive streets.<\/span><\/p>\n

www.jazzweekly.com<\/span><\/a><\/p>\n

<\/span><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

POSTED BY: George W. Harris March 22, 2021 Kenney Polson | Colors of Brazil Review By: George W. Harris  Kenney  Polson uses a wide variety of paintbrushes with his mix of reeds on this upbeat and sleek interpretation of Brazilia. He plays saxes of soprano, alto, tenor and bari along with clarinet, percussion and keyboards […]<\/p>\n","protected":false},"author":1,"featured_media":3811,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[1],"tags":[],"class_list":["post-3673","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/posts\/3673","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3673"}],"version-history":[{"count":4,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/posts\/3673\/revisions"}],"predecessor-version":[{"id":3679,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/posts\/3673\/revisions\/3679"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/media\/3811"}],"wp:attachment":[{"href":"https:\/\/kenneypolson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3673"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3673"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3673"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}