{"id":3660,"date":"2019-05-11T09:05:00","date_gmt":"2019-05-11T09:05:00","guid":{"rendered":"https:\/\/kenneypolson.com\/?p=3660"},"modified":"2026-11-02T22:22:00","modified_gmt":"2026-11-02T22:22:00","slug":"jazz2love-review","status":"publish","type":"post","link":"https:\/\/kenneypolson.com\/?p=3660","title":{"rendered":"Jazz2Love Review"},"content":{"rendered":"\n[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;#f2f2f2&#8243; custom_padding=&#8221;0|0px|0|0px|false|false&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_row _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; text_font_size=&#8221;17px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<p>by Susan Frances<\/p>\n<p><span><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/kenneypolson.com\/wp-content\/uploads\/2026\/10\/Kenny-Poulson-284x300-1.jpg\" width=\"148\" height=\"157\" alt=\"\" class=\"wp-image-2502 alignleft size-medium\"><\/span><span>Set on the trajectory for mass appeal, saxophonist Kenny Polson&#8217;s latest release&nbsp;<i>For Lovers Only<\/i>&nbsp;is sonically smooth and emotively sublime.&nbsp; Track after track is sheer bliss, featuring Polson&#8217;s relaxed temperament on the sax augmented by the warm R&amp;B-style lulls of guitarists Bruce Conte and Phil Upchurch, the sleek grooves of bassist Michael Henderson, the soft glimmer in Tom Grant&#8217;s piano notes, the sparkling effects of Roger Smith&#8217;s keyboards, and the charming interplay of Polson&#8217;s saxophone with trumpet player Larry Gittens and trombonist Fred Wesley.<\/span><\/p>\n<p><span>&nbsp;<\/span><span>Like the title of the album leads audiences to believe, the music is designed to stir the listener&#8217;s sense of romantic affection.&nbsp; Perhaps &#8220;La La Means I Love You&#8221; says it best blanketed in euphoric smooth jazz ethers.&nbsp; The flirty quiver in the saxophone is supported by a diligent arrangement of gentle keyboard swells and silky guitar progressions.&nbsp; The smooth sounding atmospherics created by the horns and keys through &#8220;Black Swan&#8221; give the tune an attractive vibe reminiscent of the likes of saxophonists Andrew Neu and Tom Braxton.<\/span><\/p>\n<p>The romantic glint in Polson&#8217;s saxophone is underscored by the balladry strokes of Smith&#8217;s organ along &#8220;Passion.&#8221;&nbsp; Upbeat and brightly colored, Polson&#8217;s rendition of the jazz standard &#8220;Stella by Starlight,&#8221; written by Victor Young and Neil Washington, has a scintillating luster that is inviting to audienes. The title track closes the recording with reclining saxophone notes set in a lounging rhythimc pulse.<\/p>\n<p>Radio friendly from start to finish, Polson&#8217;s CD is the epitome of elegant jazz.&nbsp; Born in Kansas City, Missouri to a musical family, Polson&#8217;s grandfather, \u201cChubby Wayne\u201d Harshaw (Count Basie, Cab Calloway), was a major musical influence, along with his Uncle Charles, who sang with the Coasters. Polson earned a master\u2019s in jazz composition and arranging from Howard University in 1997.&nbsp; Balancing traditional smooth jazz and modern R&amp;B, Polson delivers what he knows and plays best.<\/p>\n<p><b>Musicians:<\/b><br> Kenny Polson &#8211; saxophone, Bruce Conte &#8211; guitar, Larry Gittens &#8211; trumpet, Tom Grant &#8211; piano, Michael Henderson &#8211; bass, Roger Smith &#8211; keyboards, Phil Upchurch &#8211; guitar, Fred Wesley &#8211; trombone<\/p>\n<p>Title:&nbsp;<a href=\"https:\/\/www.amazon.com\/For-Lovers-Only-Instrumental\/dp\/B07ND8CCLF\/ref=sr_1_9?keywords=Kenney+Polson&amp;qid=1555884903&amp;s=dmusic&amp;search-type=ss&amp;sr=1-9\" title=\"View For Lovers Only at All About Jazz\"><em>For Lovers Only<\/em>&nbsp;<\/a>| Year Released: 2019 | Record Label: Prodigee Records<\/p>\n<p>View the full interview on <a href=\"https:\/\/jazz2love.blogspot.com\/2019\/05\/album-review-for-lovers-only-from-kenny.html\">jazz2love.blogspot.com<\/a><\/p>[\/et_pb_text][et_pb_button button_url=&#8221;https:\/\/kenneypolson.websitepro.hosting\/wp-content\/uploads\/2019\/05\/Jazz2love.pdf&#8221; button_text=&#8221;PDF Download&#8221; _builder_version=&#8221;4.16&#8243; custom_button=&#8221;on&#8221; button_text_size=&#8221;17px&#8221; button_font=&#8221;||||||||&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"<p>by Susan Frances Set on the trajectory for mass appeal, saxophonist Kenny Polson&#8217;s latest release&nbsp;For Lovers Only&nbsp;is sonically smooth and emotively sublime.&nbsp; Track after track is sheer bliss, featuring Polson&#8217;s relaxed temperament on the sax augmented by the warm R&amp;B-style lulls of guitarists Bruce Conte and Phil Upchurch, the sleek grooves of bassist Michael Henderson, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3826,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[1],"tags":[],"class_list":["post-3660","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/posts\/3660","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3660"}],"version-history":[{"count":3,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/posts\/3660\/revisions"}],"predecessor-version":[{"id":3665,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/posts\/3660\/revisions\/3665"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/media\/3826"}],"wp:attachment":[{"href":"https:\/\/kenneypolson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3660"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3660"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3660"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}