{"id":3625,"date":"2021-02-23T08:35:00","date_gmt":"2021-02-23T08:35:00","guid":{"rendered":"https:\/\/kenneypolson.com\/?p=3625"},"modified":"2026-11-02T22:16:24","modified_gmt":"2026-11-02T22:16:24","slug":"cd-review-kenney-polson-colors-of-brazil","status":"publish","type":"post","link":"https:\/\/kenneypolson.com\/?p=3625","title":{"rendered":"CD Review: Kenney Polson, Colors of Brazil"},"content":{"rendered":"\n[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;0|0px|0|0px|false|false&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_row _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(0,0,0,0.06)&#8221; custom_padding=&#8221;|50px||50px&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; text_font_size=&#8221;17px&#8221; header_font=&#8221;||||||||&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<p><a href=\"https:\/\/jazzineurope.mfmmedia.nl\/2021\/02\/cd-review-kenney-polson-colors-of-brazil\/\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/kenneypolson.com\/wp-content\/uploads\/2026\/10\/Jazz-In-Europe.png\" width=\"200\" height=\"108\" alt=\"\" class=\"wp-image-2771 alignnone size-full\"><\/a><\/p>\n<p><span style=\"font-weight: 400;\">WRITTEN BY <\/span><a href=\"https:\/\/jazzineurope.mfmmedia.nl\/2021\/02\/cd-review-kenney-polson-colors-of-brazil\/\"><span style=\"font-weight: 400;\">KIM CYPHER<\/span><\/a><span style=\"font-weight: 400;\">|&nbsp; FEBRUARY 23, 2021|&nbsp; <\/span><a href=\"https:\/\/jazzineurope.mfmmedia.nl\/2021\/02\/cd-review-kenney-polson-colors-of-brazil\/\"><span style=\"font-weight: 400;\">CD REVIEWS<\/span><span style=\"font-weight: 400;\">, <\/span><span style=\"font-weight: 400;\">NEWS<\/span><span style=\"font-weight: 400;\">, <\/span><span style=\"font-weight: 400;\">REVIEWS<\/span><\/a><\/p>\n<p><em><strong>West Coast jazz saxophonist Kenney Polson continues to spread the gospel of smooth jazz whilst collaborating with a wide range of musicians across the globe. His latest release is a colorful celebration of Brazilian music. As a saxophonist myself, I was naturally keen to take a listen and was intrigued to find out more about this multi-instrumentalist crossover artist. Being unfamiliar with his music, I approached his brand-new album \u2018<a href=\"https:\/\/kenneypolson.websitepro.hosting\/music\/\">Colors of Brazil<\/a>\u2019 with a completely open mind and I like what I hear!<\/strong><\/em><\/p>\n<p><span><a href=\"https:\/\/kenneypolson.websitepro.hosting\/music\/\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/kenneypolson.com\/wp-content\/uploads\/2026\/10\/Colors-of-Brazil-300x300-1.jpg\" width=\"219\" height=\"219\" alt=\"\" class=\"wp-image-2903 alignleft size-medium\"><\/a>Having completed successful tours in France and Hawaii before the Covid pandemic travel restrictions set in, Polson turned his attention to completing his new album in which his love of Brazilian music shines through together with his smooth jazz sound, funky vibe and some interesting instrumentations. \u2018<em><a href=\"https:\/\/kenneypolson.websitepro.hosting\/music\/\">Colors of Brazil<\/a><\/em>\u2019 follows chart-topping success for his 2019 album \u2018For Lovers Only\u2019.<\/span><\/p>\n<p><span>The opening track \u2018Aquarela do Brazil\u2019 (<a href=\"https:\/\/kenneypolson.websitepro.hosting\/music\/\"><em>Colors of Brazil<\/em><\/a>) sets the scene with the sound of the beach so the listener is under no illusion where the album is taking them. This laid-back version of a Latin classic has a nice groove with a summery feel. Polson\u2019s alto sax playing is melodic and to the point. The guitar solo by Leni Stern grabs attention over some great brass stabs. This track leaves me wanting to hear more, especially from the sax. Next up is the only original track by Polson on the album \u2013 \u2018Hipnotizado\u2019 (Mesmerized). This foot-tapping track with a funky Latin feel introduces the harp over a rhythmic introduction. The track is built around some nice melodic alto sax playing.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">When track 3 \u2018Caravana\u2019 (Caravan) kicks in with some powerful drums and percussion, energy levels rise! A catchy bass groove by Nico Assump\u00e7\u00e3o underpins some great alto sax playing soaring above the band which leads into a series of solos firmly cementing the level of musicianship on this album. Some great brass and nice exchanges between sax and trumpet. This is a real showcase track highlighting a fine rhythm section that gives other members of the band a chance to stretch out and really shine. \u2018Flor de Lis\u2019 (Lily Flower) is a nice smooth Samba with some great drumming by Rio born percussionist Alejandro Lucini. This track introduces a Japanese flavour. Polson uses his multi-instrumentalist ability to thicken up the texture with alto sax, soprano sax and clarinet. Leonardo Lucini plays a nice melodic bass solo. Both Lucini brothers are friends of Polson from his days at Howard University and became key figures in completing this album recording.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u2018Mariana\u2019 was composed by the late bassist Nico Assump\u00e7\u00e3o who was highlighted earlier for his wonderful bass playing on \u2018Caravana\u2019. Written for his daughter, this is likely to be the only recording of this composition in existence. This track features Alessandre Carvalho on guitar with some nice unison sax and guitar playing and exchanges. \u2018Leva e Traz\u2019 (Give &amp; Take) opens with chimes and percussion, some interesting whistling and a hint of Japan once again. The soprano sax is mellow and melodic over a rich tapestry of percussion. Once again Polson adds a thick texture with some layered instruments.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u2018Passeio de Bicicleta\u2019 (Bicycle Ride) is a personal favourite on the album for me. A piano introduction leads to a lovely mysterious soprano sax melody with a Parisienne feel. Occasional bell sounds evoke a vision of bicycles riding around a Paris street. I really like it. \u2018Incompatibilidade de Genois\u2019 (Incompatibility of Geniuses) has a nice vibe and introduces some unison sax and vocals. The scat solo by Azure McCall in the style of Al Jarreau adds another dimension and sits nicely over the brass. Polson brings in his soprano sax solo with a quirky lick that grabs attention. \u2018Obsessao\u2019 (Obsession) took time to grow on me. By the time the piano solo kicked in I was beginning to get with it. By the end I really liked it. Some solid drumming, nice cymbal work and an atmospheric ending, once again hinting to a Japanese influence.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The final track \u2018Luz do Sol\u2019 (Sun Light) features a lovely laid-back alto sax melody over layers of percussion. Some nice cymbal and drum brush work and a lovely keyboard solo by Todd Simon. This track is calming and evokes a feeling of waves lapping over my feet on a beautiful sandy beach. It\u2019s a lovely conclusion to the album that brings the listener right back to where it all started.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u2018<em><a href=\"https:\/\/kenneypolson.websitepro.hosting\/music\/\">Colors of Brazil<\/a><\/em>\u2019 is a lovely laid-back album with a great Latin vibe throughout. The perfect album for a summer\u2019s day. The brass section really adds another dimension to this album with some nice individual solos as well. The whole album is underpinned by a fantastic rhythm section that really grooves and excels throughout. Polson\u2019s style of playing is very melodic and enjoyable, without overly complicating things. This album definitely gives the listener a good taste of the different colours of Brazilian music and puts a smile on your face. Although this is an album of purely Latin music, there is enough diversity and variety of numbers to keep the listener interested. Definitely an album to add for lovers of smooth Latin music. Polson\u2019s talent as a multi-instrumentalist shines through whilst allowing other members of his band to excel in their own field. Standout tracks are Aquarela Do Brazil, Caravan and Passeio de Bicicleta.<\/span><\/p>\n<p><strong>Line-up:<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Kenney Polson \u2013 Soprano, Alto, Tenor &amp; Baritone Saxophones, Clarinet, Bass Clarinet, Vibraphone, Keyboards, Bells &amp; Percussion | Paolo Erdos, Alessandre Carvalho, Dani Cortaza, Tom Lagana, Dan Balmer \u2013 Guitar |Leni Stern \u2013 Guitar, nGnoni | Noah Simpson, Bidinho, Paulinho Trompete \u2013 Trumpet | Kyle Molitor, Vittor Santos \u2013 Trombone | Marcello Martins \u2013 Tenor Saxophone | Todd Simon, Michael Severson, Dario Galente, Marinho Boffa \u2013 Keyboards | Deems Tsutakawa \u2013 Piano | Federico Pena \u2013 Piano &amp; Keyboards | Leonardo Lucini, Fernando Rosa, Nico Assump\u00e7\u00e3o \u2013 Bass | Alejandro Lucini, Elcio Cafaro, Christian Oyens \u2013 Drums | Chuk Barber, Cidinho Moreira \u2013 Percussion | Mariea Antoinette \u2013 Harp | Mitsuki Dazai, Dr. Osamu Kitajima \u2013 Koto | Azure McCall \u2013 Scat Solo | Arrieta Ward \u2013 Vocalise<\/span><\/p>\n<p><strong>Track Listing:<\/strong><\/p>\n<ol>\n<li><span style=\"font-weight: 400;\"> Aquarela do Brazil (<a href=\"https:\/\/kenneypolson.websitepro.hosting\/music\/\"><em>Colors of Brazil<\/em><\/a>) 5:41 | 2. Hipnotizado (Mesmerized) 4:18 | 3. Caravana (Caravan) 5:40 | 4. Flor de Lis (Lily Flower) 3:43 | 5. Mariana 4:32 | 6. Leva e Traz (Give &amp; Take) 4:55 | 7. Passeio de Bicicleta (Bicycle Ride) 3:40 | 8. Incompatibilidade de Genois (Incompatibility of Geniuses) 4:32 | 9. Obsessao (Obsession) 6:50 | 10. Luz do Sol (Sun Light) 4:49<\/span><\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">Release Date: March 5 2021<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Format: CD |Digital<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Label: <\/span><a href=\"https:\/\/open.spotify.com\/album\/3SUKCMxa5RIZdBT9Gh182A?si=cZMYSSbyRbiBKoweIm4cbQ&amp;nd=1\"><span style=\"font-weight: 400;\">Rosetta Records<\/span><\/a><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"<p>WRITTEN BY KIM CYPHER|&nbsp; FEBRUARY 23, 2021|&nbsp; CD REVIEWS, NEWS, REVIEWS West Coast jazz saxophonist Kenney Polson continues to spread the gospel of smooth jazz whilst collaborating with a wide range of musicians across the globe. His latest release is a colorful celebration of Brazilian music. As a saxophonist myself, I was naturally keen to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3815,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[1],"tags":[],"class_list":["post-3625","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/posts\/3625","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3625"}],"version-history":[{"count":3,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/posts\/3625\/revisions"}],"predecessor-version":[{"id":3629,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/posts\/3625\/revisions\/3629"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=\/wp\/v2\/media\/3815"}],"wp:attachment":[{"href":"https:\/\/kenneypolson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3625"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3625"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kenneypolson.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3625"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}